Get all 253 Kscope releases available on Bandcamp and save 30%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The New Normal, It Leads To This, Lotus Unfolding, Luminescence, War Of Being, Ruins (Live), That Was Then, This Is Now, This Is What A Winner Looks Like, and 245 more.
Kscope London, UK
Created in May 2008 to provide a home for the growing post-progressive genre and an evolving, flexible and adventurous style of music without boundaries.
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supported by 91 fans who also own “Transition II”
Simply awesome! Love that floydy flavour...
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Pure Narcotic - Acoustic Session 2012
by Porcupine Tree
supported by 84 fans who also own “Transition II”
It’s interesting to hear these songs in acoustic vs. electric. This band has been a wonderful addition to my collection.
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Dwellers of the Deep
by Wobbler
supported by 72 fans who also own “Transition II”
This might be the least folky of the Wobbler releases and I wasn't sure about it at all. After a few listens however I'm loving the inventiveness and the endless melodies, all driven along by Kristian Hultgren's wonderful percussive bass.
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The Long Island metal band's third album etches arena-sized hooks into their jagged compositions, deftly balancing experimental and poppy inclinations.
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Big, clanging psych-rock from this Arizona outfit fuses monk-like vocals with slow-winding guitars for songs that feel like strange hymns.
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Titan Agronomist Project Volume 2 - A Juggernaut that Cannot Be Stopped
by Randy M. Salo
Marauding symphonic metal that pairs stampeding riffs with castle-size organ and tremendous blasts of brass.
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supported by 69 fans who also own “Transition II”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range.
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